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Samplitude ProX
Magix Samplitude has recently upgraded their software. I previously had Samplitude 11 Pro. They’ve had a name change and the new upgrade is called Samplitude ProX. I guess they’re trying to stay wit Pro Tools who now has 10. If you are considering a DAW for your PC I highly recommend Samplitude. I have Pro Tools 9 and it’s very nice and does some great things, I just think Samplitude does more great things. I’m just now getting into all the new additions but have included a couple of videos of the new graphics they have for Visualization.
99%
I work everyday from home with a job that aint that bad. I make extra money recording, mixing and making a website here and there. I pay $200 a month for television, the internet and my home phone service. I spend another $200 for cell phones. If I didn’t pay for these things I could probably afford a better insurance plan which I also pay for. I have three car payments, car insurance on myself,… my wife and two teenagers. I pay a mortgage and in 40 years I’ll own this house! Yeah, sometimes life sucks but most the time not. Since I’m trying to save trees I decided to share this electronically. I’m the 99% but don’t think sitting in the street and costing the city manpower and hurting the small businesses and destroying personal and public property is going to fix anything. But then, I don’t have time for that because I work for a living. You should try it. Paychecks are cool… Bro.
Mixing or Fixing
Over the last 15 years that I’ve been advertising “my wares” on the Internet, i.e., my Pro Audio Services, I’ve always kind of stuck to recording, mixing, and eventually mastering but now I believe we need to offer: Recording, Fixing, Mixing, Mastering.
Even before the Digital Audio Workstations there were engineers that considered themselves “mixers” not recording engineers. I’ll never forget the first time I heard this while working with a disgruntled engineer from NY on a Nashville session who kept referring to himself as a “mixer” not a recording engineer. But this post isn’t about terminology as much as it’s about the actual step in the process.
Since we can fix it now, why not? A little late here, a little early there, that notes a little flat and this one doesn’t last long enough or maybe too long. Let’s get rid of that little breath or turn it up. With mixing, it did at one time just mean balancing, blending and getting your mix to sound “like a record.” And that is still the process but now we have thrown in some “fixing” into the process.
One problem with the two steps getting mixed all together is the concentration. These are two very different forms of concentration. I’m no psychologist, but I do know that listening as a mixer and listening as a fixer and even listening as a Mastering Engineer are three different things and you listen differently. And even listening as a tracking and overdub engineer has it’s own specialized listening set of ears.
I’m sure the big boys have this all figured out and there are engineers that come in in the nasty hours and fix and move everything so that the highly paid “mixers” can only concentrate on the task at hand and try to polish the turd so that it can get millions of illegal downloads eventually. Ah, but I jest, of course. Piracy has pretty much destroyed the music “business” but that’s another post as well. And of course not all popular music is “turdish.”
But us guys on the fringe, making a living selling a mix here and there or a mastering job here or there do not have that luxury. We must Mix and Fix and toss it around in a great big bowl and throw in a little elastic audio every now and then, tweak, then re-tweak and go back to the original and then tweak some more! Yes, Mix it, Fix it and make it work, then tear it apart and do it again. It’s a really big mess… But in the end you can sometimes get something that sounds like music, but it may take a few months of not hearing it to hear it this way.
So just to be clear and to summarize: I can now Record your Music and even “Produce” it. I can fix what you or anyone else did that was not so great. I can then mix it all and provide you with mastered product. All for $19.99. BUT WAIT! Order now and get an additional mix for Free! Just pay shipping and handling.
I was, of course, kidding about the $19.99 part… At least for now.
9 things you didn’t know about the life of Steve Jobs | Technology News Blog – Yahoo! News
Creating a Sub Group in Pro Tools 9
Man! This took me forever to figure out! I think it was a google and video that made it clear but let me post it here just in case anyone else out there is having as much trouble as I had.
Pro Tools is a little confusing on the “groups” thing. Of course, like most
things it’s very simple once you understand it. “Groups” allow for you to group
several tracks such as your drums so that you can raise or lower the level in
the “mix” window and/or edit as a group in the “edit” window with additional
options as well. In the analog audio world this is very similar to the VCA
group on a mixing console and works the same way in the “mix” window. However
this is not a “subgroup.” A “subgroup” wll allow you to control level and
muting as a group as well as the ability to add plugins such as compression and
EQ. This can come in very handy for drums, horn and string sections, etc.
There are several ways to add a “subgroup,” I’ll discuss only one way. And
if there are any advanced Pro Tools users reading this and would like to offer a
better explanation and/or insight, please feel free to submit an article.
Steps to Creating a Subgroup in Pro Tools 9 (Windows 7):
- In the “Mix” Window, left-click on an empty slot in the Sends Section on any
track. - Left-Click on “new track…”
- Select Width: Stereo or Mono (this depends on what you’re doing. For a drum
submix, Stereo might work best) - Select Type: Aux Input
- Select Time Base: Samples
- Name: Add whatever name you would like, ie, “DRUMS”
- De-select “Create next to the current track”
- Click “Create”
After you complete Steps 1-8 you will now have a new track in your mix window
and a new Send in your Sends section. Both will have the same name and both
will be highlighted. Next…
- Delte the Highlighted new Send in the Send Section
- Individually select the tracks you would like to send to the subgroup and
change Output to the new “buss” you created.
Now you’re done and you can now add compression, etc. to the Subgroup. But
there is one more thing you need to do.
In order for you to now be able to Solo each track in the group you will have
to do the following:
- Alt and left-click the Solo button on the new Sub Group track.
Thats’ it.